Editing is "Sculpting in Time": This title of a book by Andrei Tarkowski best illustrates for me what constitutes that magical moment when one shot ends and a new one begins. Like a sculptor from his block of marble, I work out a finished film from the raw material. The only difference is that I move in time, manipulate it, and am always fascinated by the power each decision can have during the editing process and how much power you have over the story as an editor. It's literally a fight for every frame, because that's what I am: someone who fights for the film alongside the director and doesn't give up until the best possible result is achieved.