The European Showrunner Training is an intensive 6-month advanced training and mentoring programme designed to provide experienced European series writers with the opportunity to acquire and refine the skills needed for taking on the demanding role of a showrunner.

Through online and residential seminars as well as one-on-one mentoring, the programme supports each participant in cultivating the mind-set and self-awareness necessary for becoming a successful showrunner in Europe.

Topics include:

Creative Leadership
Head Writing, Producing, Directing, Editing
Social Impact – On and Off Screen

The European Showrunner Programme completely surpassed my expectations. It’s been an incredible and informative experience, and I know what I’ve learnt will equip me to confidently showrun my own show when the time comes. I’m most grateful for the amazing connections I’ve been able to forge, and I can’t wait to see everyone's careers continue to flourish.

Thara Popoola, United Kingdom

»Sex Education«, »Queenie«

Thara Popoola
© Garry Carbon
The European Showrunner Programme is like a great anthology series – every module is another fascinating story with inspiring characters – and you can always find something interesting that improves not only your showrunner skills.

Wiktor Piątkowski, Poland

»Wataha«, »War Girls«

Wiktor Piątkowski
The programme has helped me to establish myself as a creative producer in my current and upcoming project through both extending my knowledge and most importantly, understanding that my skillset actually is enough to take on the responsibility of a showrunner.

Lisa Ambjörn, Sweden

»Young Royals«, »Sick (Sjukt)«

Lisa Ambjörn
The European Showrunner Programme has given me more tools to deal with all the challenges. The trainers are key names who generously share all their knowledge and experience. On this programme I also had the opportunity to create a friendly relationship with other creators that will continue well beyond this programme.

Pedro Lopes, Portugal

»Gloria«

Pedro Lopes
© Bruno Cotovio
It’s very valuable to discuss what show-running means today in the European industry and to think about where it can evolve to. We all want to tell great stories in the best way possible. The programme is a think tank in which we can not only share our strengths and weaknesses, but also improve our skills.

Sanne Nuyens, Belgium

»Hotel Beau Séjour«, »The Twelve«

Sanne Nuyens

Topics and Mentoring

The European Showrunner Programme (ESP) is designed for brilliant series writers with a strong creative vision, who know their craft and enjoy creative collaboration as well as leading teams.

Building on this foundation, the ESP aims to provide the participants with key insights and skills related to the production and creative leadership aspects of the showrunner’s position, such as

  • understanding budgets
  • understanding schedules
  • understanding business partners and all members of the creative team
  • understanding how to hire the right people

  • understanding how to position creative partners for success

  • understanding the social impact of storytellers and team leaders

The following subject areas and topics are covered:

Creative Leadership

The European Showrunner Programme centres on Creative Leadership. Leadership models and skills relevant for the role of the showrunner as well as individual showrunners' leadership styles build the core of the ESP. These topics are addressed continuously throughout the programme, both in class and in one-on-one mentoring sessions.

Hard Skills

Participants learn how to structure and intertwine the dense writing and production processes required when creating and producing drama series today. They deepen their knowledge in series producing and gain insights into the collaboration with all partners and departments.

Social Impact

The powerful role stories play in society, reaching and affecting the minds, viewpoints, and beliefs of local and global audiences alike, is a well-studied phenomenon. By featuring characters that audiences grow closely attached to – sometimes for a lifetime – series constitute a form of storytelling that has a particularly strong influence. A showrunner must take this into account as well as the fact that the work culture they foster, the diversity of their cast and crew, and the wasteful or sustainable way in which the show is produced also reflects this responsibility.

Analysis, Discussion, and Definition

At the end of each module, there is a reflection on the topics and challenges addressed and a discussion on how to implement these findings into a future model of showrunning in Europe

Mentoring

Another important feature of the programme is one-on-one meetings with personal mentors. In three online meetings of 60-90 minutes each, mentors support each participant individually in exploring what kind of showrunner they aim to be.

  1. The ESP is no training in screenwriting. Applicants need to bring extensive screenwriting experience.
  2. The ESP is no training in writers‘ room techniques. This knowledge, too, is a prerequisite for all applicants.
  3. The ESP is no training for non-writing professionals. While future editions might include applicants with different backgrounds, the current edition is writer-centred.
  4. The ESP is no project incubator. The focus of this training is on skills and insights. There will be no series projects developed in the course. However, since this is a part-time course, all aspects learned may be immediately applied to the projects the participants are currently working on.

Format & Dates

FORMAT

The ESP is designed as a blended learning programme featuring both on-site and online sessions. The European Showrunner Training consists of lectures, seminars, interactive workshops, case studies, masterclasses, and mentoring in the form of one-on-one online consultations.

  • Sessions in Cologne: full days, 10 am – 6 pm CET
  • Online Sessions: Fridays, 2 pm – 6:30 pm CET. Saturdays, 9 am – 1:30 pm CET

29 - 31 May Workshop I
12 - 13 June Online Session I, Online Session II 
26 - 27 June Online Session III, Online Session IV
10 - 11 July Online Session V, Online Session VI
24 - 25 July Online Session VII, Online Session VIII

Summer Break

2 - 4 September  Workshop II
18 - 19 September Online Session IX, Online Session X
2 - 3 October Online Session XI, Online Session XII
16 - 17 October Online Session XIII, Online Session XIV 
30 - 31 October Online Session XV, Online Session XVI
13 - 14 November Workshop III

subject to change

Fees

Participations Fees & Scholarships

Fees

The European Showrunner Training has a participation fee of

  • 2,500 Euros, excluding accommodation, including meals for on-site workshops
  • 3,500 Euros, including accommodation and meals for on-site workshops (8 days in total)

The actual cost of the European Showrunner Training is significantly higher, but thanks to the support of the Creative Europe MEDIA Programme of the European Union, this in-depth training can be offered for this reasonable fee.

Scholarships

The European Showrunner Training offers 1 full and 2 half scholarships (covering participation fee plus travel, accommodation & meals for on-site modules) to participants from LCC countries, with preference given to candidates from the following countries: Bulgaria, Cyprus, Hungary, Luxembourg, Latvia, Lithuania, Malta, Slovenia, Slovakia – and from the following countries, subject to the conditions being fulfilled for their participation in the call: Albania, Bosnia and Herzegovina, Iceland, Lichtenstein, Montenegro, North Macedonia, Republic of Serbia and Ukraine.

For obtaining a scholarship, applicants are asked to indicate the request in the application form as well as to substantiate their request briefly in their statement of motivation for attending the European Showrunner Training.

Experts

Previous Speakers and Mentors included (amongst many others)

Abby Ajayi ifs filmschule köln
© Abby Ajayi

Abby Ajayi

Lecturers
UK | writer, showrunner (»Riches«, »Inventing Anna« »How to Get Away with Murder«)
Sabine de Mardt

Sabine de Mardt

Lecturers
Germany | producer, president Gaumont Germany (» The Interpreter of Silence/German House«, »Barbarians«)
Johan Fasting by Lars Olav Dybvig ifs filmschule
© Lars Olav Dybvig

Johan Fasting

Lecturers
Writer, Creator, Showrunner (»Makta (Power Play)«, Norway
Jantje Friese ifs filmschule

Jantje Friese

Lecturers
Germany | writer, showrunner, executive producer (»1899«, »DARK«)
Teodora Markova
© Mila Ivanova

Teodora Markova

Lecturers
Bulgaria | writer, showrunner (»Soviet Jeans«, »The Last Divorce of Communism«)
Sanne Nuyens

Sanne Nuyens

Lecturers
European Showrunner Programme
Alumni
Writer & Creator | »Hotel Beau Séjour«, »The Twelve«
Wiktor Piątkowski

Wiktor Piątkowski

Lecturers
European Showrunner Programme
Alumni
Writer & Producer | »The Pack (Wataha)«, »Murderesses«
Marie Roussin ifs Filmschule

Marie Roussin

Lecturers
Writer, Producer, Showrunner (»Mixte«, »Lupin«, »Borgia«, »Les Bracelets Rouges«), France
Foto Frank Spotnitz
© Max Colson

Frank Spotnitz

Lecturers
Lecturers
Creator, Writer, and Executive Producer (»The X-Files«, »The Man in the High Castle«), USA/UK
Anna Winger ifs filmschule köln european showrunner
© Katja Hentschel

Anna Winger

Lecturers
writer, showrunner, executive producer (»Deutschland 83/86/89«, »Transatlantic«, » Unorthodox «), Germany/USA

Partners

We thank our funders and Partners

Funded by

Cooperation Partner

Media Partner

Partners Think Tanks and Network

Questions? Ask us!

Carolin Groẞe Hellmann

Head of Serial Storytelling
Team
Head of Professional Training for Screenwriters
Team
Head of European Showrunner Programme
Team
Phone
+49 221 920188261
E-Mail

Hannah Schorr

Coordinator European Showrunner Programme
Team
Deputy Equal Opportunities Officer
Team
Phone
+49 221 920188270
E-Mail